SHOTLIST ADIYAMAN, TÜRKİYE (JULY 25, 2025) (ANADOLU-ACCESS ALL) 1. VARIOUS OF LARGE ANCIENT MOZAIC BEING SHOWCASED IN MUSEUM, VISITORS LOOKING AT MOSAIC AND TALKING 2. (SOUNDBITE) (Turkish) ADIYAMAN MUSEUM DIRECTOR MEHMET ALKAN SAYING: “The surface deterioration was addressed, and fractured areas were reinforced.” 3. WHITE FLASH 4. (SOUNDBITE) (Turkish) ADIYAMAN MUSEUM DIRECTOR MEHMET ALKAN SAYING: “Our work brought back the mosaic’s original colors and patterns. The heart motifs, 3D cube designs, and the depiction of a paradise garden in the central scene have regained their vivid and authentic appearance.” 5. VISITOR MURAT ISIK AND HIS FRIENDS LOOKINGAT MOZAIC AND TALKING 6. (SOUNDBITE) (Turkish) VISITOR MURAT ISIK SAYING: "I came to visit the ancient city of Perre. There are very finely crafted ancient mosaics here, with quite impressive figures on them. The mosaics also feature animal figures from the city."ADIYAMAN, TÜRKİYE - JULY 25: A 125-square-meter mosaic in Perre, one of the five main cities of the ancient Kingdom of Commagene in southeastern Türkiye, has reopened to visitors following two months of restoration work led by the Adiyaman Museum Directorate. Discovered during archaeological excavations in 2009 and identified as part of a basilica structure, the mosaic is notable for both its size and artistic complexity. It remains preserved as a single piece and features detailed three-dimensional cube motifs, octagonal and heart-shaped patterns, and natural depictions of grapevines, grape clusters, deer, roosters, hens, and demoiselle cranes. Originally restored in 2021 by teams from the Gaziantep Regional Directorate of Restoration and Conservation Laboratory under the Culture and Tourism Ministry, the mosaic had suffered surface contamination and environmental wear, prompting the latest conservation effort. - Cultural significance restored Museum teams spent two months meticulously cleaning the mosaic, reviving its colors and reinforcing damaged sections. The renewed conservation process focused on removing surface deterioration and stabilizing fractured areas. Speaking to Anadolu, Adiyaman Museum Director Mehmet Alkan said the work brought the piece back to its original appearance. “The surface deterioration was addressed, and fractured areas were reinforced,” he said. “Our work brought back the mosaic’s original colors and patterns. The heart motifs, 3D cube designs, and the depiction of a paradise garden in the central scene have regained their vivid and authentic appearance.” He said the mosaic ranks among the largest single-piece examples in Southeastern Anatolia and is now more accessible and visually impactful for visitors. Visitor Murat Isik, who toured the site after the restoration, said he is deeply impressed by the craftsmanship. He encouraged others to see the mosaic for themselves, calling the experience moving.